The Exposition Dragon

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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna

I would like to tell you a story. It’s the story of two people who are very near and dear to my heart.

The story begins with a young enby named Willow. Willow was an unwanted child. Their father was a well-off businessman who was worried about what a child would do to his prospective future. When their mother wouldn’t abort like he demanded, he pulled up stakes and moved to Minnesota, abandoning both mother and child.

Thus Willow was born to a single mother who resented them. As they grew up, abusive stepfathers came and went, leaving siblings in their wake. The middle child became their mother’s favorite and was doted on incessantly, while their mother never forgave Willow for the crime of existing.

Things didn’t get easier for Willow when, at the age of 7, they were diagnosed with paranoid schizophrenia and synesthesia. This translated into psychological and pharmaceutical bills, which translated into more resentment.

It was a hard condition for a 7-year-old to manage. Hell, it’s a hard condition for an adult to manage. They would spend the rest of their life plagued by hallucinations. Haunted by intrusive voices and thoughts that hated them, urging self-harm and suicide. Insomnia that kept them from sleeping more than a few hours at night, and night terrors assailing them in their dreams.

It was not an easy childhood. More than once, Willow would go hungry to ensure their sisters ate. More than once, Willow left home to panhandle on street corners to try and help their mom make ends meet. And more than once, Willow would spend weeks or months finding friends to stay with, to escape their mother’s mistreatment.

That’s where I met them, in fact. We had met at a Magic: The Gathering event. They were 17 pretending to be 19 to avoid uncomfortable questions about why they can’t go home. I was in my early 20’s and had a poorly furnished one bedroom apartment, but I offered them my couch to crash on, and this stray cat I took in wound up becoming a dear friend for life. But this story isn’t about me.

Life did not get easier for Willow when they became an adult. They graduated high school and entered college, only to find out the hard way that the adult world didn’t want them. Few jobs will give your resume a second look once they see the words “paranoid schizophrenia” on your record. College was going to be a lot of money for a degree they weren’t allowed to use, so they dropped out.

Their mother had racked up debts in their name, which destroyed their credit and made it impossible to get an apartment or a loan. Medicare, for reasons I still cannot fathom to this day, denied them coverage for their mental welfare. The lithium antipsychotic they’d been on was poisoning them, forcing them to go off meds and seek another way to manage their condition. They were wracked with insomnia during their waking hours and night terrors in the short time they could sleep.

They entered adulthood only to find every door closed to them and even more thorns than childhood had wrought. Even into their 20’s, they were forced to crash on couches and lean on the charity of others. The world did not want them any more than their family had.

But they weren’t alone anymore. They had friends, some fickle but others who cared enough to offer sincere help. And more than anyone, they had her.

Her name is Ally, and she became the love of Willow’s life. A bottomless well of generosity. She didn’t have much in terms of material wealth to share, having also left college for financial reasons and resorted to working at a supermarket to make ends meet. But she took Willow into her home and introduced them to a boundless love the likes of which they’d never known.

In Ally, Willow discovered kindness. They found patience. They started eating, and Ally, a woman whose greatest passion was to cook and to provide, made sure with every day that they were fed well. They found someone who could help them when the hallucinations got too hard to bear, without ever judging or making them feel like a burden.

In Ally’s arms, they could finally sleep. The comfort she provided soothed away their insomnia. The night terrors were still there. They would always be there. But it was sleep nonetheless.

In Ally, Willow finally found a home. A place where they were wanted. A place where they were loved. Ally worked three jobs to make sure they would always have a roof over their head, and still cooked wonderful meals night after night to keep them fed.

Ally and Willow married in 2016. And they have had so many great years together. As someone who’s known Willow for almost 15 years, I can honestly say I’ve never seen them happier.

I wish I could say this is where the story ends.

Early this year, Ally, this wonderful woman, was diagnosed with stage 3 breast cancer. She’s been put out of work and is undergoing chemo before surgery and radiation, and she’s struggling to make ends meet.

Once upon a time, Ally dreamed of owning a food truck where she and Willow could work together. Now she goes to weekly chemotherapy treatments while trying to figure out how she’s going to continue to support her beloved disabled spouse. And it gets harder with every passing month.

I’m doing everything I can for them, but it’s not enough. They need more help than I can provide. Ally’s GoFundMe can be found here. She’s not asking for much. We all have our struggles and I wouldn’t ask anyone to give any more than they’re able. But if there is anything you can do, please help this story find a happy ending.

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Final Thoughts on Black Panther: Wakanda Forever

While there were a few shows that I’m fond of, this is my favorite movie in Phase 4. I always liked Shuri in the first movie. She was the character I connected with most. So it’s pretty easy for me to invest in her journey here. Backing her up with Riri Williams, a character I’d been dying to see make her MCU debut, makes this movie instantly likable for me.

Wakanda Forever is filled to bursting with powerful black women being powerful and helping each other. It features a complex conflict against one of the most sympathetic yet still delightfully sinister villains in the MCU, all while issuing thoughtful dissertations on grief and on the dichotomy of tradition versus progress.

As someone who is generally non-spiritual, technologically inclined, and struggled with anger issues for much of my life, I find Shuri’s journey here incredibly relatable. Her grief, her difficulty in coming to terms with it, and her bloodlust towards Namor all feel vividly real for me.

This had to have been a hard movie to make. With the tragic loss of their key star, it wasn’t going to be easy to move forward. And I don’t know if it was a good idea to avoid recasting or not. Like I said at the beginning, it’s not really my place to weigh in on that conversation.

But for the choice that they did make, I think they did a good job of creating something that resonates emotionally, and turn it into an interesting and unique journey for a new MCU hero. I don’t know if they made the right call, but for the call they made, they made it well.

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Villain Breakdown: Namor

It would have been so easy to make this character a one-note evil emperor who reigns over an enemy people. I drew comparison earlier between Namor and Malekith, who is exactly what you get when no effort is put into an idea like this.

But that’s not what the movie was going for. The parallels between Wakanda and Talokan, their mutual relationship with the outside world, is what drives the story.

Though Namor sets his sights on something terrible, his character is filled with nuance all the same. Ultimately, he’s a man in love with his people and his kingdom, driven by fear of what the outside world will do to them. He’s not unlike many of the kings of Wakanda’s past in that regard - though his plan for how to resolve that fear also puts him somewhere in Killmonger’s ballpark.

Namor acting as the villain here serves to demonstrate the way vulnerable communities are often pit against one another, weakening them both on their oppressors’ behalf. Wakanda is under siege by the Europeans and Americans while Talokan fears exposure to the same. But rather than join hands and form a bulwark as they do in the end, they find themselves at each other’s throats.

This is what makes it so important that the two nations form an alliance in the end, rather than one defeating the other and calling it a day. Because in the end, solidarity in the face of the true threat is more valuable than anything else.

When vulnerable peoples fight each other, the only people who win are the ones who want to see them both burn. This is the statement being made through Namor.

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An important moment in every hero’s development is the moment at which they become the hero. Not the moment they gain their powers or their costume or start fighting bad guys. But the moment they become the person they need to be. The person the people relying on them needs them to be.

Iconically, Peter Parker became the hero after his Uncle Ben was shot, and he learned about responsibility. But Amazing Spider-Man 2 kicks that can down the road. For a time, he acts as a violent vigilante on a single-minded crusade for revenge. He never gets his revenge; Never gets closure that other Spider-Men get. But he puts it aside during the bridge fight with the Lizard, finding a higher calling in saving other people’s lives.

Notably, the film refrains from calling him Spider-Man until that very moment.

Tony Stark built his suit to escape from terrorists, and then kept designing as a passion project. He made formative experiences with Yinsen, but he didn’t truly become the hero until that fateful moment, watching the Ten Rings attack Gulmira.

Steve Rogers, by contrast, was always the hero since before we met him. His heroic spirit was willing from the start; He just didn’t have the body to match.

And then there’s T'Challa. T'Challa served as the Black Panther for quite some time before he became the hero. His moment came after he took that fall in his fight with Killmonger. When he confronted the ancestors and vowed to do better.

Some characters take longer than others. But Shuri? Shuri’s metamorphosis lasts right up until nearly the end. She doesn’t become the hero until she finally has Namor on his back. Spear to his throat. Her long-awaited vengeance inches from fulfillment.

She came this far for blood only to find herself at the last possible second. Only to find her way to T'Challa at the last possible second. “Vengeance has consumed us,” she says in a deliberate parallel to T'Challa’s commentary on Tony and Steve’s schism.

In this moment, she becomes queen and Black Panther. In this moment she has a revelation. Wakanda and Talokan should not be fighting each other. They are two nations under threat by colonizers. They should be supporting and defending one another. The enemies they fear only benefit from their conflict.

As demonstrated by Valentina de Fontaine who’s out there popping champagne over Queen Ramonda’s death. The CIA subplot isn’t good for much but it does drive home this point. The Americans don’t even know Talokan exists and they’re still celebrating the bloody Wakanda/Talokan war.

It takes a huge gesture of diplomacy for Shuri to forgive her mother’s assassination. She has every right to take the pound of flesh she came for. But she has to think of Wakanda now. And so she makes a different choice.

I think Wakanda’s going to be in good hands.

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Black Panther and Okoye vs. Namor and Attuma.

These fights are a reflection of one another. As mentioned before, Okoye becoming a Midnight Angel and Shuri becoming the Black Panther was, in their own ways, a step towards one another. Shuri embracing the value of tradition and Okoye embracing the value of progression.

That brings them to their respective rematches against their rivals. Now armed with the power of the Midnight Angel combined with her own talents and well-honed skills, Okoye is able to even the odds against Attuma. The Talokanil who humiliated her before is laid low by the Midnight Angel’s power.

Riri also fights Namora at the same time but they don’t have any specific rivalry. Riri already got her moment when she fought Namor. Now she’s just picking off the spare named Talokanil.

Meanwhile, Shuri’s tech is able to bring her and Namor to the desert, but he destroys the ship and damages her weapons. She gets Namor where she needs him to be but she’s left stranded, with none of her super-weapons to back her up.

The only option left to her is to fully submerge into the role of the Panther. To entirely become her people’s sacred traditional guardian, and fight with just the armor, claws, and Herb strength of her heritage.

That, and the rage she shared with Killmonger.

But accepting these things does not require them to sacrifice their selves, either. Though the Midnight Angel evens the odds, Okoye still fights Attuma with a spear, putting to work the skills she’s honed. And while the Panther allows Shuri to carry the fight when her weapons are taken from her, it’s a clever ambush utilizing the ship’s engines that ultimately bring an end to her fight with Namor.

These women have both seen the value in each other’s way of being. They’ve made concessions. But they retain their selves all the same.

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Ironheart vs. Namor. It’s a brief fight, but cathartic as hell. Serving as the prelude to the more important Black Panther vs. Namor, this fight lets Ironheart make her official debut by punting the guy that’s been after her for this entire film.

Like. This whole conflict has been predicated on Namor wanting Riri’s head on a pike. So what better way to start up the climax than giving Riri the best weapons she can build with Wakandan tech and letting her go, “You want me, bruh? Come and get me.”

Wakanda’s out there not just protecting the random American college girl that Namor’s marked for death, but empowering her to fight back. T'Challa would be proud.

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XD M'Baku’s turnaround.

“We kill the Fish Man, problem solved.”

One invasion later.

“We DO NOT kill the Fish Man, definitely not. His people worship him as a god. Killing a people’s holy messiah is the worst idea in the universe. Do you want a Forever War with the ocean? Because that’s how you get a Forever War with the ocean.”

I mean. He’s not wrong. This is an interesting spin on an ever-popular topic in superhero circles, “Should you kill the bad guy?” It’s interesting because the question here is rooted strictly in emotional grief vs. political consequence, rather than simply the morality of killing.

Shuri wants blood, but M'Baku counsels her to think like a queen now and not like a wounded daughter. That is the conflict that will carry Shuri for the rest of the film.

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I love the design of Shuri’s suit. There’s so much going on here.

In the first movie, Shuri made two suits: One with silver accents and one with gold. The silver suit became T'Challa’s, while Killmonger took the gold.

Shuri’s new suit combines elements from both, featuring both silver and gold accents. Reflective both of her love for her brother and of the burning rage that brought Killmonger to her in the Ancestral Plane. But it’s reflective of something else as well.

You see, before either of those suits belonged to those men, they were hers. These were her designs before they were anything else and in wearing them together, she’s taken them back. And put a bit more of herself into them in the process, as demonstrated by the tribal dots on the helmet. Her warrior paint in the first movie has made its way into her suit’s design.

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Nobody was prepared for fucking Killmonger to be waiting for Shuri in the Ancestral Realm. That was a goddamn curve ball.

But it speaks to the rage she’s been repressing. What she explained to her mother way back in the funerary garment burning: She’s angry and wants to lash out at everyone. She wants to burn the world in retaliation for taking her brother from her, and now it’s taken Ramonda too.

You can lie to yourself. And you can lie to your friends. But you can’t lie to the Ancestral Plane. The pain and grief and indiscriminate rage burning inside of her heart conjured N'Jadaka, taking what had been a hopeful third-act recovery montage and wringing a new danger from it. Not N'Jadaka himself, but the part of Shuri that’s rotting inside of her, that’s come so close to his way of feeling.

She’s reconciled her anti-traditionalism but the repressed grief is still burning away at her heart.

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Shuri and Riri planning out how to take down Namor. This is always the best thing you can do with super-intelligent heroes. Their goal isn’t to outmuscle the superior foe, but to out-think them. Sitting around the lab going, “Okay, let’s dissect this guy’s powers and figure out how I can beat them,” is what makes these kinds of protagonists so much fun.

At the same time, Shuri’s bearing the weight of her mother’s death, her technology’s failure against Namor, and the mantle of leadership that must necessarily fall to her now. The elders haven’t come to that conclusion yet, but it’s the natural one to come to. She is to be Queen of Wakanda now.

She’s armed with new perspective, from her time in Talokan and from making peace with M'Baku. And so she creates. She makes things that are new. And she makes things that are old. Finally completing the synthetic Heart-Shaped Herb that Ramonda wanted from her.

As Riri works on her new non-scrap Ironheart, Shuri and Okoye come together to settle the conflict of tradition versus progression. In finally accepting on the Midnight Angel suit, Okoye takes one step towards progression. And in accepting her people’s sacred mantle of Black Panther, Shuri takes one step towards tradition. Shuri and Okoye come together and make Wakanda stronger by accepting one another’s perspective.

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